I’ve read only one chapter of this book and I’ve had to stop and take a breath and a break. I’ve never read anyone talk about poetry this way, and I’ve never been addressed (Glyn Maxwell brazenly talks to “you” — me!) like this before, as though I am a poet, a fellow poet, a reader of poetry, a person who breathes because of poetry, as though, of course, poetry is the stuff of life.
So let’s start at the beginning: this little white book starts with a chapter called “White”. White the page, white the blankness, white the silence. Unlike musicians, says Glyn Maxwell, who write their lyrics against music, the poet writes against the whiteness, the emptiness, the space, the silence. Against this yawning nothingness is the movement of time, the poet only masters time by mastering that whiteness, and poetry, says Maxwell, surprisingly, is all about the mastery of time (and he does a quick little march through the 17th, 18th and 19th centuries with three poems to prove it). “Poets are voices upon time,” he says (page 14). Continue reading “On Poetry — “White””